![]() In the late 1980s, Peter upgraded to the Akai MPC-60 (another Roger Linn design), which was a step up from the Linn 9000's features. "Red Rain" noticeably was one of the songs that underwent this change. Drummer Manu Katche would play to Peter's Linn patterns live, but he found the patterns too rhythmically complex to play against so he encourage Peter to drop out the Linn programs on a few songs during the So tour rehearsals. Peter programmed most of the rhythms for drum machine-oriented songs like "Shock The Monkey". Subsequently, he took the Linn 9000 on the So tour, replacing the LinnDrum he used on the previous tour. ![]() Specifically on songs like "Big Time" and "That Voice Again", the Linn 9000 percussion sounds were blended with real drumming from Stewart Copeland and Manu Katche (respectively). Considering the album was almost a year in the making, very few of the Linn parts Peter programmed made the final mix. It became his main tool for writing songs and developing reference tracks for other musicians alongside a Prophet-5, an Emulator and a Fairlight CMI. Peter Gabriel purchased a new Linn 9000 prior to making the So album in early 1985. However, despite its advanced features, its chronic software problems led to stalling sales and therefore the company's demise. plus MIDI sequencing and sampling possibilities. Like the LinnDrum, it has 8-bit drum samples (many of which are the same), an on-board mixing panel etc. The Linn 9000 is a drum machine, which was introduced by Linn Electronics in 1984 and designed by Roger Linn as the next step to the successful LinnDrum.
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